PUBLIC WORKS​

 

My performance work has almost exclusively been to the audience of the camera, but I have been having the urge to take larger risks. These are my first forays into public practice.

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It's the End of the World as We Know It: The ball was birthed in a wind storm, launched upon my neighbors, rolled back and forth across three blocks, slumped deflated, and was adopted by children who walked it six blocks to the playground behind my local library. I imagine it will reappear sometime this summer both as plaything and anthem.

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Free Concerts (or future iterations of free poetry, free therapy, free bad advice) involves two chairs, two participants, and the vibration of sound carrying between them via a pair of red solo cups tethered by a fishing line. If you ever made one of these as a kid you know their magic.